Top 10 Historical Garden Museums in Tehran

Top 10 Garden Museums in Tehran (Photos, Timing)

Tehran is known as “the city of museums” among people. This bustling metropolis embraces picturesque historical garden museums as well. These amazing attractions combine history narrations with artistic creations to exhibit glorious history as well as man-made artifacts. Though the heavy traffic and crowded streets are sometimes annoying, garden museums in Tehran can provide you a peaceful relaxing atmosphere to escape the city chaos. Let’s explore the top 10 historical garden museums in Tehran you shouldn’t miss for an enjoyable visit and a memorable experience.

Golestan Palace

Golestan Palace Complex is the only UNESCO Heritage Site in the heart of Tehran. It sits in a region initially called Tehran Arg which was the city’s gateway in the Qajar period. The palace was established during the Safavid era. Zand dynasty renovated it. Then, the founder of the Qajar dynasty, Agha Mohammad Khan, selected the palace as the official residence of the Qajar dynasty (1794-1925). Moreover, it became the center of artistic creations. The palace complex is composed of seventeen palaces and halls of different ages surrounding a picturesque garden. Each building is a treasure of architecture, art, and decorative craftsmanship. Golestan Palace has witnessed some significant moments in Iran’s history such as the coronation of the Qajar and Pahlavi kings. Shams-ol Emareh, or the Sun Building, the first recreational tower of Tehran, is one of the valuable features of this palace complex. It enjoys a good view of the Tehran landscape from its rooftop. Takht-e Marmar Terrace (Marble Throne), Talar-e Ayeneh (Mirror Hall), Khalvat-e Karim Khani (Karim Khan Nook), and Emarat-e Badgir (the Wind Catcher) are among the prominent halls that should not be missed.

Opening hours:

Spring and summer: Every day from 9:30 a.m. to 18:30 p.m. except for public mourning holidays

Fall and winter: Every day from 9:00 a.m. to 16:30 p.m. except for public mourning holidays

Location: Click Here

Golestan Palace, Iran

Golestan Palace, the only UNESCO Heritage Site in Tehran

Saadabad Palace

Saadabad Palace is a cultural and historical complex located in Shemiran, at the northernmost part of Tehran. Its lavish garden, covering an area of 110 hectares, embraces 18 palaces and galleries dating back to Qajar (19th century) and Pahlavi periods.  The area was used as a summer palace for the Qajar royal family at first and later, as the summer residence of Pahlavi dynasty. It turned into the museum after the revolution in 1972. The Green Palace- the first palace built during Pahlavi period, the White Palace or Mellat Museum that is the largest mansion, the Black Palace (or Fine Arts Museum), the Military Museum, and the Dafine Museum (or Museum of Treasure) are just some of the remarkable palaces and museums for tours to Tehran. There is much more to see in the complex! After your visit, you can make your way to Tajrish Bazaar for shopping or to Darband for relaxing, drinking tea or eating traditional food in the cafes or restaurants settled along the river.

Opening hours: Every day from 9:00 a.m. to 18:45 p.m. except public mourning holidays (Last entry: 17:00)

Location: Click Here

Niavaran Palace

Niavaran Palace is a historical complex located in a landscaped garden in the north of Tehran. The complex traces its origin to the Qajar dynasty. It was used as the summer residence by the Qajar monarchs. The pavilions were added to the complex during the reign of different Qajar kings. Today, Niavaran Palace consists of five museums including Niavaran Palace (the primary residence of the last royal family), the private library containing about 23000 books, Ahmad Shahi Pavilion (built during the late Qajar era), Sahebqaraniyeh Palace, and Jahan Nama Museum. Some copies of inscriptions from ancient times of Persia are exhibited in the garden as well.

Opening hours:

Spring and summer: Every day from 9:00 a.m. to 18:00 p.m. except public mourning holidays

Fall and winter: Every day from 8:00 a.m. to 16:00 p.m. except public mourning holidays

Location: Click Here

Top 10 Historical Garden Museums in Tehran

Ahmad Shahi Pavilion in Niavaran Palace in Tehran

Moghadam Museum

Moghadam Museum is one of the most precious museums in Tehran. The house dates back to the Qajar period. Mohsen Moghadam- one of the Iranian pioneers of archeology who inherited the house from his father- and his French wife dedicated life to collecting valuable historical objects from around the world. They bequeathed the family house with all its treasure to Tehran University.

Opening hours: Every day from 9:00 a.m. to 17 p.m. except Saturdays and public mourning holidays

Location: Click Here

Moghadam-museum-Tehran

Moghadam museum, a priceless house in Tehran

Ferdows Garden

Baq-e Ferdows (literally the paradise) is a historical complex, covering 20 thousand square meters, in Tajrish in the north part of Tehran. It was called Ferdows since the beauty of its garden, pools, and fountains, as well as the splendid decorations of the mansion,  replicated the beauty of heaven on earth.  The complex was founded during the reign of Mohammad Shah Qajar (1808-1848). It was also used to be called Mohammadieh at that time. After the king’s death, the complex underwent alterations over the years. The two-floor mansion (the oldest part was completely destroyed) in the middle of the complex is applied as the Cinema Museum of Iran from 2002. It is decorated with patterned pillars and moldings. The museum exhibits photos, posters, and equipment of Iran’s movie industry. In fact, it presents and safeguards Iran’s cinema heritage. It is usually the host of different cultural events such as theater shows. The garden embraces two movie theaters, two cafeterias, and gift shops. Ferdows garden is close to the museums of Time and Music, as well as Imamzadeh Saleh.

Opening hours:

Every day from 9:00 a.m. to 19:00 p.m. except Fridays and public mourning holidays (Last entry: 18:15)

Location: Click Here

Top 10 Historical Garden Museums in Tehran

Ferdows Garden encompassing Cinema Museum in Tehran

Negarestan Garden

This beautiful garden is located in the central part of Tehran. It was built in 1802 by the order of Fath Ali Shah- the second Qajar king- as a summer residence. The halls are ornamented with mirrors. Since the mansion was decorated by the most prominent painters’ works, it was named Negarestan, literally meaning a place encompassing many pictures. The museum in the garden exhibits the paintings of Kamal-ol Molk (1847-1940) – the leading Iranian artist- and a number of his students. Negarestan garden was turned into the school of fine arts by Kamal-ol Molk in 1911. In 1934, some parts of this historical garden were used by Tehran University to hold educational courses. Today, the garden has been changed into the museum of Tehran University’s history and glory. An open-air café in the garden offers the visitors refreshing drinks and a traditional menu in a pleasant environment. It takes only five minutes to walk from the Baharestan metro station to this beautiful garden. It is also very close to several museums and tourist sites such as the National Jewelry Museum, National Museum of Iran, cafes, and restaurants.

Opening hours:

Museums: Every day from 9:00 a.m. to 18:00 p.m. except Mondays and public mourning holidays

Garden: Every day from 9:00 a.m. to 22:00 p.m. except for public mourning holidays

Restaurant: Every day from 9:00 a.m. to 22:00 p.m. except for public mourning holidays

Location: Click Here

Negarestan-Garden

Negarestan Garden Museum, Tehran

Masoudieh Palace

The five-hectare Masoudieh Palace (Emarat-e Masoudieh) is one of the most beautiful historic houses in the center of Tehran dating back to the Qajar period. Its beautiful Iranian-European architecture made this place a popular attraction for the residents as well as the tourists and travelers who wish to experience the Tehran city tour. The Divankhaneh palace is decorated with stucco, colored glasses, ceramics, gridded doors and windows, symmetrical floral patterns and geometrical motifs, calligraphy, and murals. The palace was built in 1878 by order of Naser al-Din Shah Qajar for his son Masoud Mirza- the governor of Isfahan. Over time, it was used for different cultural, historical, and political purposes: the main gathering center for the Iranian Constitutional Revolution (1905-1911), the first official library (1926), the national museum of Iran, and Ministry of Education (1967). There are two mansions, a restaurant, and an entrance hall in the complex. The restaurant, with a traditional design, serves traditional food and drinks in a cozy environment. Some cultural classes and galleries are held in this historical mansion on different occasions throughout the year.

Opening hours: Every day from 9:00 a.m. to 16:00 p.m. except on public holidays

Location: Click Here

Masoudieh Palace- Iranian garden museums

The five-hectare Masoudieh Palace (Emarat-e Masoudieh) is one of the most beautiful historic houses in the center of Tehran

Time Museum

Time Museum was inaugurated in 1999. The two-story mansion, dating back to the Qajar era, is a mixture of architecture, amazing plaster works, and tile works. Outdoors, the visitors can see some models of old sundials, clepsydras, hourglasses, and the like some going back to 5000 years ago. The first floor exhibits the evolution of clocks from the seventeenth century to the present. Different kinds of clocks- pendulum, wall, floor, mantel and tabletop, bracket, cuckoo, chime shut off, musical, atomic, etc. – ornamented with sculpture, enamel, and mosaic have been presented by other countries to Iran. The first Iranian-made clock is kept here too. The second floor displays the prominent political, historical, and scientific characters’ watches, as well as other kinds of clocks such as marine, and military clocks. The evolution of time measurement tools, mechanical clocks and watches, and some fossils from different geological periods are exhibited on this floor as well. The walls of the museum show the documents on the Iranian calendar. There is a café in the garden where you can relax and refresh. Its breakfast is popular among visitors. It is close to a number of attractions such as Saadabad palace, Niavaran palace, Tajrish traditional bazaar, and Cinema museum in Ferdows garden.

Opening hours: Every day from 9:00 to 18:30 from Saturdays to Wednesdays and from 10:00 to 18:30 on Thursdays and Fridays except national holidays

Location: Click Here

Time museum Iran

The two-story mansion known as Time Museum in Tehran, Iran

Iranian Art Museum Garden

Though the Museum Garden of Iranian Arts (or Bagh-e Honar-e Irani) is not a historical site, it contains replicas of twelve Iranian historical buildings and monuments in miniature size. The small models of prominent tourist sites, made by Italian artists in the Pahlavi period, such as Tehran’s Azadi Tower, Zanjan’s Soltaniyeh Dome, Kashan’s Fin Garden, Shiraz’s Naqsh-e Rustam, Urmia’s St. Thaddeus Monastery, and Isfahan’s Chehel Sotoun are scattered in the beautiful garden surrounded by handicraft shops, a bookstore, a restaurant, and a cafe. Here’s a nice spot for walking, shopping, eating, relaxing, and mingling with locals. Moreover, art exhibitions and workshops are sometimes held here. The garden and its mansion were built in 1932 but opened as a museum in 2008. It covers the nearly one-hectare area in Elahieh near Tajrish square in the north part of Tehran.

Opening hours: Every day from 9:00 a.m. to 21:30 p.m. except for public mourning holidays

Location: Click Here

Tehran’s Persian Garden

Persian or Iranian Garden (or Baq-e Irani) is located in an old neighborhood known as Vanak Village (Deh Vanak) in northwest Tehran. Though it is not that much big, you can spend some peaceful moments there in the chaotic city of Tehran. It is also very convenient. This beautiful garden follows the amazing pattern of Persian Gardens’ architecture and design in ancient Persia. The brooks are flowing around and the tiny fountains are scattered along the way in the garden. Due to the beautiful tulips, the garden is scenic, especially in the springs. The building in garden was built in the traditional Persian style. It is decorated with colorful latticed windows.

Location: Click Here

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Iran Bazaars Tehran

Best Iran Bazaars: from Tehran bazaar to Tabriz bazaar

Iran bazaars are among the astonishing tourist attractions that will amaze tourists and travelers with their various colors, flavors, and fragrances. There are many attractive subjects for photography and more important than photos, it is a place to keep in touch with people from different social and economic classes all wandering in bazaars to exchange goods and greetings, to do business, to pray, and simply to have some tea.

The traditional Iranian bazaar is a roofed complex of shops, passageways, caravanserais, bathhouses, and squares. It is not limited to business and commercial acts, it is a place for relationships. It is a place that provides the opportunity for individuals to discuss and exchange opinions. In fact, bazaars are for commercial, social, cultural, religious, and political activities. For Iranians, the bazaar looks like Piazaa for the Europeans and Hiroba for the Japanese. Not only does Iran embrace traditional bazaars as roofed complexes of shops and passageways, but also it embraces great malls and modern bazaars as the more entertaining parts of the major Iranian cities. The bazaar is the heart of Iranian cities leading to urban growth and it has provided a strong social and physical network constructed through the ages.

Best Iran Bazaars to witness Persian art, architecture, history, and culture

The astonishing Iran Bazaars

The word ‘bazaar’ has a very long history and its use in Iranian towns and cities may date back to 300 B.C. (Kermani & Luiten, 2009). The origin of the term bazaar refers to the ancient Persian word Wazar. It is defined as a place for trade with two rows of shops connected to each other by a vaulted roof. Bazaar is also one of the most prominent socio-spatial systems of Iranian cities. The bazaar is one of the main factors of spatial organization in Iran and it is impossible to define the main body of the city, especially in traditional cities without it.

The structure of traditional cities in Iran is based on its bazaars’ economic and political factors. In Iran, the traditional bazaars usually have a linear form, and other spaces and buildings such as mosques, and bathrooms are organized along this linear form.  Many cities grew around bazaars and the bazaars were always surrounded by mosques, bathhouses, tea houses and etc. The role of bazaars in the structure of Islamic cities is so important that some believe that bazaars are the main core of Islamic cities; however, some others believe that the main core refers to the Jameh mosque at the city center.

As it was mentioned, Iran bazaars are not just a place for commerce. The traders and merchants had the economic power to support social, political, and religious movements, therefore, they were among the most influential groups of people in the traditional urban society. That is why bazaars were also places to make and support social, political, and religious movements, and Bazaariha-a merchant and trader- has been a vital part of the movements and protests in Iran.

Best Iran Bazaars to witness Persian art, architecture, history, and culture

Find rugs, carpets, jewelry, spice, and copper in Iran’s Bazaars

Fantastic architecture, great construction, long history, and amazing people are all combined together to create a mesmerizing atmosphere in the bazaars of Iran. Each city has its own bazaar; however, some of the bazaars are well known either for their perfect architecture or their strategic location.

To have such a perfect experience and to purchase priceless handicrafts as souvenirs, travel to Iran, and visit the best bazaars in Iran.

Tehran Grand Bazaar

Tehran Grand Bazaar has roots in the Safavid, Zandiyeh, and Qajar periods; however, the major parts of the Tehran Bazaar were constructed in the Qajar period. The intertwined labyrinthine of Tehran Bazaar one of the most beautiful parts of Tehran is an amazing tourist attraction where one will find everything such as colorful carpets, priceless jewelry, aromatic herbs, delicious food, and delicious nuts and shells. That is the place one would find people from all walks of life.

Iran Bazaars

Tehran Grand Bazaar is one of the fundamental business hubs of Iran

Tehran Grand Bazaar is one of the fundamental business hubs of Iran and it has an amazing economic structure. It is divided into many parts each of which is dedicated to a special business. There are many serays (alleys,), caravanserais, hojrehs (shops), and so forth. It has also had a historic role in political, cultural, and social changes. The Iranian constitutional revolution is one of the most important historical events in which bazaaris had an important role. Tehran Grand Bazaar has elaborate architecture and structure as well. The shops at rows are connected to each other by the arched roof and there are different alleys for each of the businesses. It also encompasses other traditional buildings such as coffee houses, zorkhaneh, bathhouses, mosques, and so forth. One could visit the old and historical restaurants and coffee houses in the bazaar and enjoy having some delicious Persian food there. Tehran Grand Bazaar is close to Golestan Palace as well. Then, you will have the chance to visit one of the UNESCO World Heritage sites and listen to the history of Tehran.

Tajrish Bazaar

Tajrish Bazaar located north of Tehran is also one of the colorful bazaars of Iran. It is less chaotic than Tehran Bazaar and it is close to some other tourist attractions such as Imamzadeh Saleh as one of the holy shrines in Tehran, Darband, and Darakeh the northern mountains of Tehran, Niavaran Palace, and Saadabad Palace as the fantastic remains of Pahlavid era in Tehran. It is a tourist-friendly spot for shopping, relaxing, drinking tea, and enjoying the view of the mountains. Tajrish Bazaar has a central square that sells fresh fruits and vegetables, Persian sweets, and many aromatic herbs. It has many passageways reaching different shops where one can buy sweets and savories, dairy, nuts, dried fruits, clothes, and so forth. If one has the chance to be in Iran before Nowruz, Tajrish Bazaar would be a perfect place to enjoy the hustle and bustle of the New Year.

Tajrish Bazaar, Tehran

The vivid atmosphere of Tajrish Bazaar, Tehran

Tabriz Bazaar

Tabriz Bazaar is the oldest bazaar in Iran and one of the oldest ones in the Middle East.  As a historic bazaar constructed and decorated with many arcades, red bricks, and stucco, it is registered as a priceless UNESCO World Heritage Site. It has been a place for commercial and cultural exchange since antiquity. Located on the Silk Road as one of the most fundamental east-west trade routes, the Tabriz Historic Bazaar Complex embraces a series of covered brick structures and enclosed spaces each dedicated to a different function.

Tabriz and its historic bazaar were famous when the city was the capital of the Safavid dynasty, later it lost its fame, but it remained as a commercial hub for centuries. It is one of the best traditional bazaars well known both as a place for commerce and a place for social gatherings, religious practices, and political movements. It is true to say Tabriz Historic Bazaar is one of the most important commercial, social, cultural, and architectural complexes among bazaars, and over centuries, it is a place for people from different cultures to gather together in a unique environment.  As a fantastic example of a multi-functional complex, architectural structures are shaped by commercial activities.

Tabriz Bazaar, Iran

The Great Carpet Bazaar in Tabriz, Iran

In 2010, UNESCO declared Tabriz Bazaar a World Heritage Site playing the role of a commercial hub located along the ancient Silk Road. Centuries before, great travelers such as Marco Polo and Ibn Battuta praised Tabriz Bazaar in their travelogues describing it as one of the most beautiful bazaars in the world. Tabriz Bazaar is located in the center of the city and it consists of several subbazaars each dedicated to selling some specific goods such as Persian rugs, carpets, jewelry, spice, and copper. However, Amir Bazaar for gold and jewelry, and Mozzafarieh for carpet are among the well-known sub-Bazaars. Tabriz Bazaars has an important role in political changes too. The Iranian Constitution Revolution in the last century and the Islamic Revolution are the most important ones.

Vakil Bazaar

Vakil Bazaar (Bazaar-e-Vakil) located in Shiraz, the city of love and poetry, is one of the most beautiful bazaars in Iran. It was constructed about 200 years ago by the order of Karim Khan the king of the Zand period.

Vakil Bazaar is located in the center of the traditional part of Shiraz and it enjoys vaulted brick avenues known as the masterpiece of Zand Architecture. It was designed so elaborately that the interior part remains cool during hot summer days and warm during long-lasting winters. The vaulted brick ceiling keeps it cool or warm in different seasons by regulating the temperature.

Vakil Bazaar, Shiraz

The great architecture of Vakil Bazaar, Shiraz

Vakil Bazaar is an amazing place to wander around for hours and enjoy purchasing lots of souvenirs varying from colorful carpets and clothes to gorgeous handicrafts and diverse spices. Vakil Bazaar is one of the main attractions of Shiraz and it is a great part of the Zandieyeh Complex that also includes the Vakil Bathhouse, Vakil Mosque, and Arg of Karim Khan. To experience some sweet moments there, one should drink a cold glass of Khakishir a popular detoxing seed-based drink, or have a full bowl of Faloodeh a delicious combination of rice noodles, iced rose water, and sugar. Nasir al-Mulk Mosque, Zinat-ol-Moluk House, and Shahe-Cheragh are also attractions close to Vakil Bazaar.

 The Grand Bazaar of Isfahan

The Grand Bazaar, also known as the Qeysarrieh Bazaar, is one of the historical bazaars of Iran located in Isfahan. Being adjacent to Naghshe Jahan Square as a UNESCO World Heritage site and also as a reminder of the glory of the Safavid era, it is a must-see attraction in Isfahan.  The Grand Bazaar is one of the oldest and longest roofed bazaars in Iran as well as the Middle East linking the old region of the city to its new one. The architecture of the Grand Bazaar of Isfahan enchants visitors with its elaborate details, vaulted roofs, and beautiful alleys. One needs to stroll around to enjoy it all and to find priceless handicrafts such as carpets, kilims, Minakari, and Qalamzani.  The bazaar has many alleys and lanes. Each of the lanes is an entrance to many shops selling particular goods such as carpets, kilims, gold, silver, spices, herbs, handicrafts, etc. That is a great experience to walk along vaulted pathways, enjoy the scents and colors, watch and chat with people, and buy some souvenirs in the Grand Bazaar of Isfahan.

Qeysarrieh Bazaar, Isfahan

The Grand Bazaar, also known as the Qeysarrieh Bazaar in Isfahan

 

Grand Bazaar of Kerman

The Grand Bazaar of Kerman, one of the oldest and most extensive bazaars in Iran, dates back to the Safavid era, with sections added during the Zand and Qajar periods. This bustling marketplace is not only a hub of commerce but also a living museum that showcases the rich cultural and architectural heritage of Kerman. The bazaar is a labyrinth of interconnected alleys, each dedicated to a specific trade, such as spices, carpets, and copperware. Among its highlights is the Ganjali Khan Complex, an architectural masterpiece that includes a mosque, bathhouse, caravanserai, and a stunning courtyard. This complex, built in the early 17th century, reflects the exquisite artistry of Safavid architecture and remains a must-see for visitors.

The Grand Bazaar of Kerman is located at the heart of the city, making it easily accessible for locals and tourists. The bazaar is open from 9:00 AM to 9:00 PM every day except for Fridays, which typically closes around noon for religious observances. The main entrance to the bazaar can be found at Shohada Square, Kerman, Iran. Visitors are advised to explore the bazaar in the morning or late afternoon to avoid the midday heat, especially during the summer months.

Bazaars of Yazd

The five-thousand-year-old city of Yazd is one of the greatest adobe cities in the world. Yazd has been inscribed on UNESCO’s World Heritage List as a priceless adobe city embracing many pre-Islamic and Islamic attractions.  The bazaars of Yazd are among the most astonishing attractions one should never miss. The old bazaars of Yazd with their outstanding Islamic architecture, gorgeous wind catchers, and minarets are among the astonishing attractions one should not miss. The bazaars of Yazd as both historical attractions and business hubs and they include mosques, caravanserais, schools, and water reservoirs.

The bazaars of Yazd

The bazaars of Yazd as both historical attractions and business hubs

Bazaars are the right place to enjoy and buy traditional handicrafts and souvenirs such as handmade jewelry, painted tiles, termeh, silk and wool handwoven fabric, pottery, carpets, and rugs. Darvazeh Mehriz Bazaar, Tabrizian Bazaar, Zargari Bazaar, Mesgari Bazaar, Panjeh Ali Bazaar, Haji Qanbar Bazaar, Qeisariyeh, and Bazaar-e-Khan are among the most significant bazaars of Yazd. Haji Qanbar Bazaar included in the Amir Chakhmaq complex is the oldest Bazaar of Yazd, and Qeisariyeh located between Khan Square and Khan School is the most beautiful bazaar of Yazd. Qeisariyeh is among the most famous bazaars in Iran and it is protected by two exquisite wooden gates.

Last Words

Iranian bazaars are more than just markets; they are vibrant hubs of culture, history, and community life, making them a top highlight of any trip to Iran. Whether you’re exploring the winding alleys of the Grand Bazaar in Tehran, admiring the stunning architecture of Isfahan’s Naqsh-e Jahan Square, or experiencing the lively atmosphere of Shiraz’s Vakil Bazaar, these bazaars offer an authentic glimpse into the daily lives of Iranians. They are places where tradition meets modernity, where you can find everything from exquisite handicrafts to aromatic spices. Visiting these bazaars is not just about shopping; it’s about completely engaging in the vibrant cultural fabric of Iran, which makes it a must-have experience for any traveler.

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Naqsh-e Rustam

Naqsh-e Rostam Necropolis: Photos, Video, Info

Naqsh-e Rostam is an ancient necropolis situated northwest of Persepolis, the capital of the Achaemenid Empire. Naqsh-e Rustam (Naqsh-e Rostam) is an impressive reminder of the once glorious Achaemenid Persian Empire (c. 550–330 BC) and it stands as a magnificent manifestation of ancient Persian art. Naqsh-e Rostam is the house for the immense rock tombs cut high into the cliff. The rock tombs belong to four Achaemenian kings. The ancient tombs attracted Sasanian kings as well. They wished to imitate the glory of the Achaemenian kings; maybe that is why they created huge reliefs besides the tombs. The immense rock reliefs mainly depict the investiture scenes and the equestrian fights of the Sasanian kings. However, the history of Naqsh-e Rostam is not limited to the Achaemenid and Sassanid periods.

There is evidence that the site exists from the Elamite period.  An ancient rock relief dating back to the Elamite period indicates that Naqsh-e Rostam had been a sacred place during ancient times. That might be the reason Darius I ordered to carve his monumental tomb into the cliff at the foot of Mt. Hosain (Huseyn Kuh). His rock tomb is famous for its two inscriptions known as the king’s autobiography. The inscriptions indicate that Darius the Great had been the king who ruled according to justice. Travel to Iran and enjoy visiting so many great cultural attractions, especially the great ones registered on UNESCO World Heritage List or waiting to be registered. Pasargadae, Persepolis, Naqsh-e Rajab lies a few hundred meters from Naqsh-e Rustam, and Naqsh-e Rustam, the ancient necropolis of the powerful Persian kings are the best cultural attractions of Iran located in Shiraz, Fars province.

Achaemenid Tombs

Naqsh-e Rostam houses four rock tombs carved out of rock faces. Since the façades of the four Achaemenian tombs look like Persian crosses- chalipa- some call them Persian Crosses as well. The entrance to each tomb is located at the center of the cross and it leads to a small chamber where the king’s body lay in a sarcophagus. It is not clear whether the bodies were directly put into the sarcophaguses or the bodies were exposed to a tower of silence, and then the bones were put there. What is certain is that the tombs were closed after the burial, but the doors were smashed and the tombs were looted after the invasion of Alexander the Great in the 4th BC.

Naqsh-e Rustam

Naqsh-e Rustam, the Ancient Necropolis of Powerful Persian Kings

The four tombs cut high into the cliff belong to Achaemenid kings; however, only one of them is explicitly identified as it is accompanied by an inscription. The tomb belongs to Darius I who was the fourth Achaemenid emperor. There is a relief above his tomb and it depicts Darius I whose hands are raised for worship, he stands on a raised three- stepped platform in front of an altar, and the winged figure of Ahuramazda (the Zoroastrian god) is also at the center of the relief. The platform is supported by 28 throne bearers representing each of the kingdoms of the Achaemenid Empire. The other three rock tombs carry no inscriptions. Since the layout of the tombs is just copied from the tomb of Darius I, it is believed that they belong to his successors Xerxes I, Artaxerxes I, and Darius II. In 1923, the German archaeologist Ernst Herzfeld made casts of the inscriptions on the tomb of Darius I. Since 1946, the casts have been in the archives of the Freer Gallery of Art and the Arthur M. Sackler Gallery in Washington, DC.

Ancient Necropolis of Persia

Darius I standing on a platform in front of an altar and the winged figure of Ahuramazda

Ka’ba-ye Zartosht

In front of the rock tombs, there is a square tower known as the Ka’ba-ye Zartosht which means the Cube of Zoroaster (Ka’ba is the famous monument as a holy site for Muslims located in Mecca). The structure of the building is a copy of a sister building at Pasargadae known as the Prison of Solomon; however, this building is a few decades older than Ka’ba-ye Zartosht. On the wall of the tower, there is an inscription in three languages from Sasanian time and it is considered one of the most important inscriptions of that period. It is not obvious what the purpose of the building had been. It might have been a library for the holy books, a place to keep the holy fire, or maybe a treasury.

Naqsh-e Rustam

Ka’ba-ye Zartosht in front of the rock tombs at Naqsh-e Rustam

According to Persepolis fortification tablets, there must have been trees at Necropolis that apparently refer to Naqsh-e Rostam. The experts believe that there must have been three lines of trees in the area between the tower and the tombs; however, it has been a long time since the trees disappeared.

Sassanid Reliefs

Besides the tombs, there are seven oversized stone reliefs dating from the 3rd century AD.  The huge rock reliefs mainly belong to the Sassanid period and they depict scenes of imperial conquests and royal ceremonies. What is amazing about the reliefs is that they indicate details of events carved in the heart of rough rocks. Therefore, they can give the visitors a visual insight into the spirits of ancient times.

The most famous rock relief at Naqsh-e Rostam belongs to the Sasanian king Shapur I. The relief depicts his victory over two Roman emperors; Valerian and Philip the Arab. Shapur I is on the horseback, while Valerian is bowing to him and Philip the Arab is holding Shapur’s horse.

Ancient Necropolis of Powerful Persian Kings

Shapur I celebrates his victory over two Roman emperors; Valerian and Philip the Arab

The investiture relief of Ardashir I as the founder of the Sassanid Empire is also depicted. The relief indicates Ohrmazd giving Ardeshir the ring of kingship. The inscription also has the oldest use of the term “Iran”.

There are also equestrian reliefs such as the equestrian relief of Hormizd II at Naghsh-e Rustam. The relief depicts Hormozid and above the relief, one would see a badly damaged relief that apparently is depicting Shapur II with his courtiers.

The relief of Bahram II depicts the king with an oversized sword. On the left, five figures stand and they seem to be the members of the king’s family. On the right, three courtiers stand and one of them is apparently Kartir- a highly prominent Zoroastrian priest.

The Oldest Relief at Naqsh-e Rostam

The oldest relief at Naqsh-e Rostam dates back to approximately 1000 BC and it dates back to the Elamite period. Though the relief is severely damaged, it depicts a faint image of a man with unusual headgear. He is thought to be an Elamite one.

Why Is It Called Naqsh-e Rostam?

Sassanid reliefs mainly depict equestrian fights or investiture scenes. Since the equestrian fights of the Sasanian kings represent the tales of chivalry, locals believed that the man depicted on reliefs was Rustam, the hero of Shahnameh. The epic of Shahnameh is the masterpiece of Ferdowsi, the great Iranian poet of the 10th and 11th the century. Therefore, the site is called Naqsh-e Rustam (meaning the carvings of Rustam); because the locals believed that the carved man on the reliefs was their epic hero” Rustam”.

The Ancient Necropolis of Powerful Persian Kings

Locals believed that the carved man on the reliefs was their epic hero” Rustam”

To explore the awe-inspiring ancient site of Naqsh-e Rostam, the ancient necropolis of powerful Persian kings of the Achaemenid dynasty, travel to Iran- the country of ancient civilization and diverse cultures- and enjoy visiting its fantastic tourist sites and its friendly locals.

Are you planning to travel to Iran? Check out our Iran tours.

Fin Garden-Iran

Fin Garden in Kashan: Photos, Architecture, Plan, History

Fin Garden, also known as Bagh-e-Fin, in Kashan, is one of nine fascinating Persian gardens on the UNESCO world heritage list. Fin Garden is a historical garden and one of the most visited tourist attractions in Isfahan province. It attracts many tourists and travelers from around the world. This garden dates back to the 16th century when the Safavid dynasty ruled. Then it underwent some reconstruction in the late 19th century. It was highly recognized and expanded during the reign of Fat′h Ali Shah Qajar in the 19th century. The garden may date back to before the Safavid period; however, no valid document is available. During the reign of King Abbas I of Persia, the Persian garden was reconstructed into its current form. Travel to Iran and visit Fin Garden in Kashan to experience how it feels to step into heaven.

Fin Garden History

The plan of the Fin Garden is a kind of elaborated Chahar Bagh with a pavilion at the intersection. As a traditional Chahar Bagh with a large area of thousands of square meters, it is surrounded by trees, shrubs, water flows, and a high curtain wall with circular towers separating this oasis from the surrounding desert. Fin Garden is also famous for its historical tragedy. Amir Kabir was the chief minister to Naser al-Din Shah Qajar. He was one of the most innovative men in the Qajar period and was murdered in Fin Garden in 1852. Once registered as national property, Fin Garden became a UNESCO World Heritage Site. Some believe that Ghiyāth al-Dīn Jamshīd Kāshānī, a Persian astronomer and mathematician, was the designer of the garden. On the other hand, some say it was the great art of Sheikh Bahaei, a Shia Islamic scholar, architect, mathematician, and poet who lived in the late 16th and early 17th centuries.

 A Heaven in Hiding

Fin Garden, a splendid sample of Persian gardens, exhibits a good combination of nature, culture, history, and architecture. All architectural elements are elaborately applied to make a masterpiece that absorbs eyes for a long time. Persian gardens mainly lie in the heart of deserts. Seeing such magnificent green places in hot and arid areas would keep travelers in awe.
The construction of the pavilion in the middle of the garden, along with two dynamic elements of trees and water, brings about the identity of this cultural and historical attraction. Water plays a vital role in the design of Fin Garden. The sound of the flowing water can truly ease one’s soul. To have a perfect day in Fin Garden, do not forget to visit Fin Garden tea-house near the source of the spring. There are many trees shading the water full of fish. Travel to Iran and enjoy exploring one of the most beautiful examples of Persian architecture. Stroll around and listen to the peaceful sound of running water and the whistling sound of leaves.

Fin Garden

The splendid decorations of Fin Garden, Kashan

Traditional Persian Fountain

Though the garden appears lush, it is surrounded by a desert landscape where water is scarce. However, the water runs through pools and canals with abundant beauty in the garden. The water is supplied from a spring that heads toward a pool behind the Persian garden. The height difference between the pool behind the Fin garden and the canals running through it make fountains throw the water upright by gravity. The water supply system is very sophisticated. There are clay pipes one meter beneath all the pools, and they connect to the main pools on one side and are blocked on the other.

Since the ends of the clay pipes are closed, the water flows out of the fountains. Since the ground is sloping and in order to divide the pressure, the pipes’ diameters have been built differently from each other. The pipe head is thicker than its end; therefore, water throws out of them with an equal amount. Twelve springs emerge from the main pool called Howz Joosh. Then it runs through canals ornamented with turquoise tiles. The eye-catching color of the tiles is in contrast with the color of the desert surrounding the garden.

Kashan Fin Garden

Fin Garden in Kashan is a great sample of Persian gardens.

Persian Howz Architecture

There is a fascinating pool in Fin Garden called Howz Joosh. It was once covered by tiles inspired by the design of Kashan carpets. Louvre Museum displays some looted tiles from the early Pahlavi period. Once the Britains attempted to restore the pool, but they failed to do so. Professor Pirnia- an Iranian architecture professor- also wanted to restore the Howz Joosh, but as he demolished one corner, he noticed clay pipes beneath each of the holes. Based on the calculations and pipe sizes, he decided he could not restore them and stopped manipulating them. Water flow not only cools the environment in hot seasons but also provides tranquility for humans through its soft sound.

Greenery of Fin Garden

As one of the most beautiful Persian gardens, the Fin Garden of Kashan contains many trees and shrubs. Several tall trees line its pathways. Compared to the hot desert surrounding the garden, the tall trees and abundance of water are a welcome contrast. There are hundreds of cypresses plus several plane trees in Fin Garden. Regarding the old age of trees, it seems that the evergreen trees of Fin Garden are mostly cypress trees while planting a few plane trees was considered to enhance the visual quality. Aside from that, the cypress is often represented as a symbol of beauty in the Persian language. The trees are approximately 100 to 470 years old. It embraces other flowers such as lilies, eglantine, jasmine, violets, and tulips. In constructing the garden, symmetry played an important role, but slowly sidewalks and buildings in the complex disrupted the harmony.

 

Kashan

The Qajar Kushk decorated with beautiful paintings on the ceiling

A Tragedy within Garden’s Beauty

Besides the small bathroom constructed in the Safavid period, Qajar architects built a large bathroom (Hamam). It was in the small bathroom that Amir Kabir was murdered in 1852. Amir Kabir served as the prime minister of Nasar al-din Shah, a ruler of the Qajar Dynasty from 1848 to 1851. He made significant changes, especially in the fields of education and administration. As a result of these actions, the prime minister became popular, but he provoked the anger of the royal family. Finally, Amir Kabir was dismissed by the king of Persia. His murder occurred later in the Fin Garden after he was imprisoned there. A tragic connection to the murder led to the garden’s disrepair until 1935 when they restored it as a national monument.

Fin garden in kashan

The plan of the Fin Garden is a kind of elaborated Chahar bagh

Similar to Narenjestan Garden and Eram Garden in Shiraz, Dowlatabad Garden in Yazd, and Shazdeh Garden in Kerman, Fin Garden is a masterpiece combining natural and artificial elements. The architectural structures represent both Safavid and Qajar styles. In the center of the garden stands the Safavid pavilion (Kushk), and at the end stands the Qajar pavilion (Kushk) with beautiful paintings on its walls. The small bathroom and Emarat-e-Sardar (an entrance building) belong to the Safavid period. There was also the Karim Khani Nook (Kalvat-e-Karimkhani), along with the national museum and the royal bathroom during the Qajar period. Kashan National Museum is worth a quick visit as well. It showcases some ceramics and calligraphy. However, the most exquisite highlight is the shah’s delightful shotor gelou, a two-story pool house in the middle of the complex.

Are you planning to travel to Iran? Please read Things to do in Kashan and Check out our Iran tours.

 

Sheikh Lotfollah Mosque

Sheikh Lotfollah Mosque, Isfahan: Photos, Architecture

Sheikh Lotfollah Mosque is one of the masterpieces of Iranian architecture. It was built by the prominent architect Sheikh Bahai in the early 17th century (from 1603 to 1619) under the order of Shah Abbas the Great- the 5th Safavid king. The starting date for the construction is visible on Reza Abbasi’s inscription on the main entrance. The mosque is located on the eastern side of Naqsh-e Jahan Square (UNESCO World Heritage Site and one of the largest squares in the world 160 meters wide and 508 meters long) just opposite Ali Qapu Palace, Isfahan, Iran. Its northern side opens into the Isfahan Grand Bazaar. Visit the unique Sheikh Lotfollah Mosque When Traveling to Iran and enjoy its unique exquisite tile work.

Since the minarets have been used for the invitation of the public for saying prayers after Islam, this small private mosque- without any courtyard, minarets, and interior iwans- is believed to have been built for the women of the king’s harem. By Shah Abbas’s command, a tunnel was built from Ali Qapu Palace to the mosque, so that the females of the royal family did not have to walk across the square. They could reach the mosque without being seen in public. The guards protected the tunnel and the main entrance of the mosque and the doors were kept closed to avoid anyone to enter the building. The mosque was dedicated to Shah Abbas’s father-in-law, Sheikh Lutfallah, a revered Lebanese Islam scholar who died in 1622.

Sheikh Lotfollah Mosque

Sheikh Lotfollah Mosque on the eastern side of Naqsh-e Jahan Square

Architecture

Sheikh Lotfollah Mosque is founded on a square ground plan that turns into an octagonal form in the upper parts and finally transforms into a circle by means of the squinches. This rectangle-to-circle transition plan evokes Sassanid architecture. Despite its simple structure, this small mosque is very rich in tile work and calligraphy. Moreover, the amazing play of light and color – coming through sixteen lattice windows around the lower part of the dome- will astound the enthusiastic visitors. The façade built with marble is decorated with seven-colored mosaics (called haft-rang tiles in Persian). The calligraphy was supervised by Ali Reza Abbasi, the famous Iranian master of calligraphy.

Due to the difference between the direction of Qibla and the main entrance of the building, the architect Mohammad Reza Isfahani designed an L-shaped hallway connecting the entrance and the sanctuary of the mosque. The structure lies at a 45-degree angle against the Naghshe Jahan square eastern wall. As a result, the dome (that is 32 m high and 12 m in diameter) and the main entrance iwan do not fall on the same axis, unlike other mosques.

Sheikh Lotfollah

Sheikh Lotfollah Mosque, Isfahan, Iran

The tilework of the mosque is one of the best examples of Persian Islamic architecture. It is deliberately asymmetrical. This asymmetry is interpreted as a deliberate attempt to show the imperfection of human construction against the flawless creation of God. There are blue ceramic spirals inside the mosque that frame semi-vaulted corners and end in vases carved out of marble. The dome is ornamented with cream-colored glazed and unglazed tiles that colors change from cream to pink during the day. Around the dome is decorated with white, deep blue, and azure arabesques outlined in black, the Quranic inscriptions in white Thuluth writing on a dark blue background, and different names for Allah in white Kufic writing outlined in black and turquoise. It is reminiscent of Persian rugs.  The way the lemon-shaped medallions inside the dome grow in size from the apex toward the drum makes the dome look taller and larger. One of the unique and remarkable features of the dome is the peacock-like shape at the center of its interior side. There is a hole in the ceiling that the sun’s rays pass through it. At certain times of the day, if you stand at the entrance of the hall, the sun’s rays seem like the tail of the peacock.

Isfahan Iran

The peacock-like shape at the center of the interior side of the dome of Sheikh Lotfollah Mosque

The thick walls of the mosque are covered with blue, turquoise, white, and yellow tiles. The tiles are adorned with intricate arabesque patterns and floral motifs. The Quranic verses appear in different corners while the east and west walls are ornamented with Sheikh Bahai’s poems. The inscriptions mostly emphasize Shi’ism. It is understandable, especially regarding the date of the construction and the efforts made by the Safavid king to consolidate Twelver Shi’ism in Iran contrary to the Sunni Ottomans. There is no question that the mihrab of the mosque is one of the most spectacular examples of beauty and intricate detail. This semi-vaulted mihrab directly opposite the entrance is also decorated with moaragh mosaic, fine muqarnas, and delicate arabesque patterns. Its inner side is also elaborately ornamented with muqarnas and floral motifs. In contrast to the splendid decorations of the mosque, its basement, including 16 pillars, enjoys a simple decoration of mono-color square tiles and plaster.

Persian architecture

Muqarnas in Sheikh Lotfollah Mosque

Shaykh Lutfallah Mosque is one of the most magnificent attractions of Isfahan. It enjoys such unique architecture and decoration that is definitely worth visiting on the tours to Iran.

Are you planning to travel to Iran? Please read Things to do in Isfahan and Check out our Iran tours.

Saadi Shirazi tomb

Saadi, the Great Persian Poet of All Time

Saadi Shirazi- Abu-Mohammad Muslih al-Din Shirazi- the great Persian poet of all time, was born in Shiraz in the 13th century. He is one of the most influential Persian poets of the medieval period, admired for his artistry in expressing the deepest moral and social thoughts in the simplest words for all ages. He is well-known as the “Master of speech” among Persian scholars and one of the best poets of classical Persian literature. His two outstanding literary masterpieces are Golestan and Bostan.
The exact date of his birth is not known. According to his qasida poems, he left home to explore the world in 1225, contemporary to the invasion of Mongols to Fars. In Golestan, composed in 1258, he addresses himself as a person who has lived 50 years, but he is still naïve and does not know much about life.

Saadi Shirazi

The tomb of Saadi in Shiraz

Saadi Shirazi Lifestory

After leaving Shiraz, he went to the Nezamiyeh University in Baghdad and studied Islamic sciences, theology, law, history, and Arabic literature. During his thirty-year journey, he had the opportunity to travel across Anatolia, Syria, Egypt, and Iraq. He also visited Jerusalem, Mecca, and Medina. He wrote about his travels and adventurous life in both Bustan and Golestan. Master of Speech fought alongside Sufis against Crusaders in Halab, but they captured him at Acre and held him captive there for seven years. But like many of his other stories, such as traveling to India and Central Asia, it cannot be confirmed and is considered highly suspect. Without a doubt, he lived much of his life as a wandering dervish.

Who is Saadi?

Saadi was a man of learning and traveling. He met all kinds of people, from intellectuals, merchants, preachers, farmers, ordinary people, and survivors of the Mongol invasions to Sufi dervishes and even thieves living in remote areas far from the invaded regions. Saadi was able to study society and advise and preach to people to follow wisdom and morality. He finally came back to Shiraz before 1257 CE in his late forties, and it was the time that he finished the composition of his masterpiece called Bustan. His birthplace Shiraz was where he spent the remainder of his life and was greatly respected by the residents and ruler of the city. He passed away between 1291 and 1294 in Shiraz. He has been titled a Sheikh because of his depth of knowledge.

 

Saadi Poet

The tomb of the Persian poet Saadi displays traditional Persian architecture.

Saadi Shirazi Bustan

His best-known work Bustan (or Bostan), was completed in 1257. Bustan is entirely in verse. It includes 183 stories in ten chapters about the virtues such as justice, kindness, love, modesty, liberality, generosity, satisfaction, and happiness, and the ecstatic practices of dervishes addressing all people to have a better and happier life. Bustan was called Saadi Nameh in older versions. It contains about 4000 verses.

Golestan

His masterpiece Golestan was completed in 1258, a year after composing Bustan. It is mainly composed in prose. It includes 8 chapters, mainly about the kings’ morality, the dervishes’ behavior, the benefits of contentment, silence and talking in proper time, love and youthfulness, weakness in old age, and education. Interspersed among the stories are short poems. It is one of the most influential books in prose in Persian literature. Saadi attempts to advise people to live freely and improve their quality of life in Golestan. It contains different anecdotes, pieces of advice, and quotations. It can show the cultural and social conditions of the society at the time of Saadi very well. Some characters and stories are real, and some are fictional. It is one of the first Persian books made by a print machine in 1824 in Tabriz.

Saadi Persian Poet

Golestan can show the cultural and social conditions of the society at the time of Saadi very well.

Persian Language and Literature

Other works of Saadi include Ghazals (love poems or Lyrics; sonnets), Qasidas (longer mono-rhyme poems or Odes), Quatrains, and short pieces in prose in both Persian and Arabic. He is known as one of the greatest ghazal-writers of Persian poetry besides Hafez. Many scholars believe the best ghazals are from Saadi and Hafiz. Saadi has about 700 ghazals, mostly with the essence of love and some with mysticism sermons. He uses irony in his works to represent and criticize the deficiencies and corruptions in the society of his time.

The Greatest Ghazal Poet

The ghazals of Saadi are collected in four groups: Old Sonnets (written in his youth); Tayebat and Badaye (written in his middle age); and Khavateem (written in his old days). Most experts believe Saadi’s Old Sonnets are about earthy love, while his Khavateem is more about mystical love, as well as ethics and piety. According to this dichotomy, they guess Saadi practically passed the earthy love to the mystical love during the different stages of his life.

Saadi’s Artistic Style of Writing

Saadi elaborately distinguishes between spiritual and mundane aspects of life in his works. He tries to visualize the deepest meanings of life in the most tangible contexts and close to conversational language as far as possible in a way that even common people can get the most out of his writings. Saadi’s writing style is called Saj’ in Persian and Arabic, and it is a kind of prose characterized by rhythm as well as rhyme. This artistic style of writing reaches its peak in Saadi’s Golestan. His prose style is described as simple but impossible to imitate.

Saadi Iranian Poet

Visuals of the tomb of Saadi Shirazi at night

Saadi Shirazi Poems

The writing style of Saadi undoubtedly had a huge influence on Persian literature and many great poets who followed him. There is a surprising similarity between his language and modern Persian. After about eight centuries, his works are still easy to understand and admirable in different languages. Many of the Persian proverbs have been taken from his works. Translations include “the proof of the pudding is in the eating”, “what can you expect from a hog but a grunt?” and “Haste makes waste.” Among the well-known western poets who translated Saadi’s works are Goethe and Andre du Ryer- the first European who presented Saadi to the west for the first time in 1634. Golestan was translated into Latin in 1651. Sir Richard Francis Burton translated Golestan into English for the first time.

In one of the most well-known immortal poetries of Saadi, he considers all humans as different parts of a whole body, regardless of social barriers and race:
Human beings are members of a whole,
In the creation of one essence and soul.
If one member is afflicted with pain,
Other members uneasy will remain.
If you have no sympathy for human pain,
The name of a human you cannot retain.
This poem conveys such a deep humane universal concept that is printed on the ten-thousand-Rial bill to remind everyone of the love and peace in everyday life.

Persian Poet Saadi

Saadi’s poem printed on the ten-thousand-Rial bill

Tomb of Saadi

It is one of the major tourist attractions in Shiraz to visit his mausoleum, also known as Saadieh. It is located in a beautiful garden beside Delgosha Garden (dating back to the Sassanid era). The tomb was built in the 13th century. Unfortunately, it was destroyed in the 17th century. The present-day building was built between the years 1950 and 1952. It was inspired by Chehel Sotoun and built by the architect Mohsen Foroughi. Many Persian elements have been used in its architecture. It is also a National Heritage Site. It is visited annually by thousands of visitors who respect him and adore the eloquence in his works. Most of the tours to Iran include Saadieh in their itineraries while visiting Shiraz during their travel to Iran. To commemorate Saadi, 21 March is celebrated as the National Day of Saadi in Iran every year.

Are you planning to travel to Iran? Please read Things to do in Shiraz and Check out our Iran tours.